Mehdi Nasiri - Literacy has been always the base in which drama has been formed and adaptation and performing arts have benefited significantly from adaptation.

Nasrollah Ghaderi I would like to ask you one simple thing and is that when my children grow if they allocate more value to their holdings that wisdom you are allowed to bother them in any way you can and make them feel ashamed of their acts and this is just the way I treated you.

Nasrollah Ghaderi
SThe dramaturgist - specialist in dramaturgy is required to gain a precise perception of the inner and outer dissimilarities of personality, style and character. Relying on both exploration along with technique, would enable him to create the darama.

Nasrollah Ghaderi
Real values are the ones that do not disappear easily and exist all the time since human beings are ever immortal and are everywhere. They are truthful and honest because human beings are immortal and everywhere.

Mehdi Nasiri - Since the old days no culture has been able to progress without employing and learning other ways of life in various areas.

Nasrollah Ghaderi
If you ever become interested in something then do not hesitate to do that. Do it immediately
and do not wait. Suspension and delay are the two important elements of theatre and drama
that have attracted critics.

Analyses and Criticism
Part two

Tragedy, the cursed and complex example

Nasrollah Ghaderi
Tragedy is cursed and is a very difficult concept to analyze. Tragedy is a branch of drama that
treats in a serious and dignified style the sorrowful or terrible events encountered or caused by
a heroic individual.

Nasrollah Ghaderi
Some individuals often suffer from the illusion that they know what critique is and they in their
opinion there is no distinction between critique and analyses. Literacy criticism since the
beginning of its birth in Aristotle’s Poetics and specially in the area of drama has had its own
rules.

Nasrollah Ghaderi
This is all I am suffering from. If it is eliminated, I will feel free like the breeze of the mountain.
Peter Brook , the English producer-director of Shakespeare's plays writes in a declaration in the
1960s:

ناصر حسینی مهر در مقاله "تئاتر جوهر زندگی" معقتد است تئاتر کشورهایی نظیر ایران، ترکیه، الجزایر و حتی شیلی و مکزیک هم بدون هیچ تحولی در نیم قرن گذشته و با تکرار همیشگی خود، منتظر ظهور حرکت هایی در تئاتر جهان هستند تا خود را متحول سازند.